a biography of the nursery

The Nursery is a bold and playful alternative rock band known for their cinematic sound, surreal-tinged aesthetics, and high-energy live shows. Their music dives deep into the intense emotions of youth — contrasting themes of fear, rebellion, obsession, desire, and alienation. The main lineup consists of Alex Pulec (vocals, guitar), Victor Ess (bass, synth), Jared Roth (keyboards, synth), and Josh English (drums). The timeline below tells the full story of the band.

Alex Pulec started his foray into music at the tender age of 8 writing and recording his first songs (and noisy experiments) using the family’s home karaoke machine. Its two tape decks and record functions were used to overdub and build songs with him recording every instrument he could get his hands on. Pulec started writing and performing his songs with The Nursery in 2010, right off the heels of splitting from his previous group, The Ruby Spirit. Sharper than ever his unique signature and identity began to take shape.

“Astutely crafted and slyly hooky pop-rock tunes that one could easily imagine brightening up the playlists of more open-minded mainstream radio outlets” - (Toronto Star)

After putting together a permanent new band and bursting onto the scene with their breakout EP Digital Ashes and single “Everybody’s Famous (Except Me)”, The Nursery has earned song rotation and interviews on mainstream and independent radio stations in Canada, The United States and Mexico. Upon releasing their debut album Life After Wartime, The Nursery were awarded "Best Independent Rock/Pop Band In Canada" by Indie 88’s "Indie Awards" (2018). That same year the band was also awarded “Best Music Video" for Digital Ashes by the Toronto Independent Music Awards.

The Nursery's music has been licensed to Netflix syndicated shows (Schitt's Creek/Kim's Convenience), received brand sponsorships (Converse/Jim Beam) and earned glowing press on national news outlets (CBC, Toronto Star, Exclaim!, Flare, Chart Attack)

"A complex record that explores numerous themes, including the experience that comes with loss, as well as our society’s obsession with technology, fame, and nostalgia." - (Indie88)

Known for their explosive live performances, The Nursery have headlined three small tours across North America, played various festivals and supported artists like Still Corners, The Birthday Massacre, The Elwins, Dan Mangan, Day Wave, The Wooden Sky and a solo Gord Downie performance to name a few.

"Blurring the lines between post-punk, electro-pop and psychedelic rock." - (Exclaim!)

In 2020, The Nursery teamed up with producer Michael Fong (Electric Youth, Wintersleep, Scott Helman) and Nixon Boyd (Dizzy, Hollerado, Royal Mountain) to release the singles "Radium Girls" and "Demons," in preparation for their anticipated second full-length album Candy & Gloom. Unfortunately, for reasons beyond the band's control, they were forced to go on hiatus, pausing both the sophomore album and future live plans.

"With an anthemic and boisterous sound, Toronto’s The Nursery is well on the path to being Canada’s next great breakthrough band. Digital Ashes is fantastic songwriting that is simultaneously dark, hypnotic, and euphoric" - (The Revue)

Lead singer, songwriter, and guitarist Alex has since launched a solo career under the moniker Alex Exists. His debut solo LP, Everybody's Famous, creatively picks up where the band left off — serving as both an ode to his roots with The Nursery and a natural bridge, taking their unique mix of post-punk, thrifty glam rock, and psychedelic pop into new territory.

Drummer Josh English has gone on to co-found the band GROSH, where he continues to release music and perform across the USA. He also collaborates with Alex on creative visuals for the solo project.

historical timeline

2010

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Genesis + Carnival Nature

Alex Pulec (guitar, vocals) started writing and performing with The Nursery in 2010, right off the heels of splitting from his previous group, The Ruby Spirit. Sharper than ever, his unique signature and identity began to take shape.

Teaming up with Tony Malone from Drastic Measures to produce the album, the material on Carnival Nature set the tone: bold, psychedelic, and playful alternative punk commenting on the intense emotions of youth: fear, rebellion, obsession, desire, and alienation.

2011

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The First Lineup

As the songs grew bigger, so did the band. Victor Ess (bass, synth), Jared Roth (keyboard, synth), and Nate Finucci (drums) joined to form the core live lineup that would define The Nursery on stage and in the studio for the first few years.

Together they turned the songs on Carnival Nature into a full-band sound. Art rock, electronic and psychedelic pop woven into an exciting live show and built for the stage.

2012

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Carnival Nature Release Party

Carnival Nature was released, putting The Nursery’s early work and live show in front of listeners. The bold, wild, eccentric and playful songs that sharpened the band’s identity and set the stage for what came next.

The release marked the leap from early writing into a shared public record: the carnival of youth themes, fear and desire, rebellion and alienation, apathy and mystery, made concrete.

2013

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Best Indie Album @ The Toronto Independent Music Awards

The Nursery won Best Indie Album for Carnival Nature at the Toronto Independent Music Awards — an early validation of the band’s wild, eccentric, and playful sound.

2014

Digital Ashes EP

The Nursery released their debut EP Digital Ashes on Fun Gun Records — kicking off the next part of their career with a bang. Standout singles included “Digital Ashes,” “She Speaks the Wave,” and “Hexes & Oh’s.”

“With an anthemic and boisterous sound, Toronto’s The Nursery is well on the path to being Canada’s next great breakthrough band. Digital Ashes is fantastic songwriting that is simultaneously dark, hypnotic, and euphoric.”
The Revue

2015

New Lineup & Sound

With Jocelyn Conway joining on drums, The Nursery’s second lineup started to evolve and the band pushed into a sharper, more cinematic sound, still rooted in the early material, but built for a bigger stage and a more orchestral, vivid, and playful world.

The chemistry of the new lineup evolved the band’s identity: electronic edges, indie rock energy, and psychedelic pop hooks woven into the live and recorded sound that would carry them forward.

2013–2016

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Canadian/US Shows

The Nursery headlined three small tours across Canada and the United States, bringing the Digital Ashes material to stages from Toronto and beyond.

Along the way they played The Phoenix with Dan Mangan and Hollerado, and supported acts like Still Corners, The Birthday Massacre, The Elwins, Day Wave, Good Kid, and The Wooden Sky — plus a benefit concert with Gord Downie at The Town Ballroom for the Healing Mary Moser Benefit show.

2017

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The Final Lineup

After some tumultuous times after touring and recording, The Nursery’s last full lineup got locked in with the addition of Josh English (drums). This lineup that would carry on into the Life After Wartime era on stage and in the studio.

It was the band as most fans came to know them: tighter than ever, locked into their cinematic, high-energy sound, and ready for the next chapter.

2017–2018

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Recording the Debut Full Length Album

Coming off a Canadian and US tour, the band went into the studio to record their debut full-length album, the follow-up to Digital Ashes and the next chapter in the story.

Life After Wartime took shape across sessions in Toronto, expanding the early EP sound into a full record built around songs like “Everybody’s Famous,” “Mysteries,” and “Timeless Eye,” being co-produced by Mike Rocha and Alex Exists.

2018

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Life After Wartime LP

The Nursery released Life After Wartime — their debut full-length album on Fun Gun Records. 10 tracks of glorious and sprawling indie rock, psychedelic pop and post punk.

“A complex record that explores numerous themes, including the experience that comes with loss, as well as our society’s obsession with technology, fame, and nostalgia.” — Indie88

2018

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Awards + Accolades

The Nursery were awarded Best Independent Rock/Pop Band In Canada by Indie88’s Indie Awards.

That same year, the band also won Best Music Video for Digital Ashes at the Toronto Independent Music Awards.

2018–2019

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Canadian/US Tours

After releasing Life After Wartime, The Nursery hit the road again across Southern Canada and Northern United States — bringing the full-length record to new rooms and returning to stages that helped build the band.

The tour kept the high-energy live reputation going: headlining dates, festival stages, and support slots that pushed the Life After Wartime songs further into the world.

2019

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Candy & Gloom LP

The Nursery’s second album Candy + Gloom began to be recorded with producers Michael Fong (Electric Youth, Wintersleep, Scott Helman) and Nixon Boyd (Dizzy, Hollerado, Royal Mountain).

The leading singles “Radium Girls” and “Demons” on their sophomore release were poised to cement the next chapter of The Nursery’s story — blurring the lines between post-punk, electro-pop, and psychedelic rock.

2019

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Last Shows

In 2019, The Nursery played what would turn out to be their last handful of shows — though no one in the band knew it at the time.

Onstage, they were at their peak: locked in, explosive, and fully themselves — the live band fans had come to know at full power.

2020

The Chapter Closes

For reasons beyond the band’s control, The Nursery were forced to go on hiatus — pausing the sophomore album Candy & Gloom and future live plans.

What remains is the music, the videos, the rooms they filled, the memories shared with fans and the story told here: a bold, exciting, and playful chapter in Canadian alt-rock.